Monday, 24 December 2012

Station mock-up

Just a reminder of what I hope this station is going to look like. Based on the Gare du Nord in Paris, the first picture shows a cardboard cut-out of the station facade. Eventually, the cardboard cut-out will be replaced by the ceramic facade in the second picture.





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Billy Budd continued:

Completed my listening to Benjamin Britten's opera Billy Budd and look forward to listening next to Peter Grimes.

Here is a synopsis of the Billy Budd story downloaded from the Metropolitan Opera website. The story is based on a short novel by Herman Melville, he of Moby Dick fame.

Prologue

Captain Vere, as an old man, looks back on his life at sea and the mysterious workings of good and evil.

Act I

Aboard the H.M.S. Indomitable during the French Wars of 1797. Early in the morning, the crew goes about their work. A cutter has been dispatched to board a passing merchantman and recruit the most able men for war service. It now returns with three impressed sailors, among them Billy Budd, an open-hearted, good-natured young man. Questioned by John Claggart, the master-at-arms, Billy reveals a stammer when trying to explain that he was a foundling. His shout of farewell to his former ship, The Rights o’ Man, misleads the officers into believing that Billy is a potential source of danger in rousing dissent among the other sailors. They instruct Claggart to keep an eye on him. Left alone, Claggart voices his bitterness and disdain for the officers. He orders the ship’s corporal Squeak to use every opportunity to provoke Billy. The old seaman Dansker warns Billy to beware of Claggart.
In Captain Vere’s cabin, the officers express their dislike of the spirit of the French Revolution, which they hold responsible for the recent naval mutinies at Spithead and the Nore. They mention Billy as a potential troublemaker but Vere disagrees and tells them that all he is guilty of is youthful high spirits.
That same evening, the men sing shanties on the berth-deck. Billy discovers Squeak rummaging through his belongings and attacks him. Claggart intervenes and, realizing his man has bungled things, has Squeak arrested. His hatred of Billy now stronger than ever, Claggart forces the Novice to try and bribe Billy into leading a mutiny. But the Novice’s efforts only rouse Billy’s anger. Dansker appears and calms Billy down. He repeats his warning to avoid Claggart, but Billy is certain he has nothing to fear from him.

Act II
It is several days later. Officers and crew are eager to engage the enemy but the ship is shrouded in mist. Claggart begins to put to Vere his case against Billy, when a French sail is sighted and the air begins to clear. The captain orders to give chase and the men prepare for battle. A shot is fired but misses the target. The wind drops and the mist returns, putting an end to the pursuit. Claggart once again approaches Vere with his complaint that Billy is planning a mutiny. Vere refuses to believe him and sends for Billy to confront his accuser.
Alone in his cabin, Vere reflects on his conviction that the young sailor is innocent. Billy arrives, then Claggart, who repeats his charges. Asked to defend himself, Billy gets so upset that his stammer chokes him. He strikes out at Claggart, killing him on the spot. Vere, shaken, summons his officers and a drumhead court is constituted. Billy admits the deed but can’t explain why Claggart should have wrongfully accused him. When the officers turn to Vere for an explanation, the captain refuses to respond. Faced with no other choice, the court pronounces the death sentence.
Early the following morning, Billy calmly contemplates his imminent death. Dansker appears with food and news that the ship is now indeed close to mutiny, the crew determined to prevent Billy’s execution. Billy tells him to stop them—he has accepted his fate.
At dawn, the sentence is pronounced before the entire company. Billy blesses Vere and is hanged.

Epilogue
The old Vere is still plagued by doubt if what he did was right. He acknowledges that he could have saved Billy, but the condemned man’s blessing has given him comfort.


Metropolitan Opera

Herman Melville
                  

Sunday, 23 December 2012

Billy Budd

The kind of thing I have in mind for the background mural.




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Musical mixture today:

Had some routine work to do today so decided to dip my toe into Benjamin Britten's operatic oeuvre while doing it.


Started with Billy Budd. Superlative opening bars, immediately drawing the listener into the maritime sound world of Britten.

Verdict: got half way through the 3 CDs  and then had to go somewhere. Very impressive. I'm a convert and would like to see Billy Budd performed live.

Then off to the gym where Aphex Twin and Orbital provided a brilliant energising sound track. Very decent of them to do so.

Orbital - The Middle of Nowhere



Aphex Twin - I care because you do.
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Altars continued

Don't usually go to a Sunday morning Mass - prefer the sparer service one finds in the evening. But, did so this morning and the church was, of course, much busier than I'm used to - impressively so. Would have taken a photograph of the altar over the heads of the assembled many but was too shy to.

So, instead here  is a lino-cut I made 13 years ago of morning Mass at St Peter's, Partick, Glasgow.





Saturday, 22 December 2012

Cannabis and pain relief.

Ceramic tile background.

Thinking about the background for the layout.

Where the two maps are in the photo below, will be covered with a ceramic tile mural of a town scape.



Something like this; and tapering off to the right.



I'll have to get cracking with the planning of this so that I can hit the ground running when the ceramics classes resume in January 2013.

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Last night's dinner:

Parmesan cheese

Atop spaghetti bolognaise
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The Last Supper:

Wrong season, I know, but I've recently become besotted with altars. See yesterday's blog.










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Cannabis and pain relief:

I was intrigued by an article on the BBC website today regarding the efficacy of cannabis as a pain reliever. In my opinion, research into pain reduction is very important.

The conclusion, based on many pieces of research, was that the beneficial effects of cannabis may lie in the dis-engagement from the pain rather than in the quantitative reduction of the pain sensation itself.

This seems an important distinction to make and tallies with everyday experience of pain, namely, that it is at its most atrocious when one has nothing to distract one from it.

I suspect that the much mentioned ability of cannabis to "take the edge off" things can be interpreted in this way: it places a distance between the individual and the source of his or her dismay.

Friday, 21 December 2012

Limoges

When I was in Poitiers several months ago, I was thwarted in my desire to travel to Limoges to see its wonderful station, by engineering works on the line. I didn't fancy going there by the replacement bus service.

However, in February, my wife and I are going to spend a weekend in Limoges.

The real thing.

Somebody's model.
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Hot Chip:

Coming on Strong





This album is really growing on me; it was their first one.

Stand out track for me: "Hittin'skittles"

Here are some reviews I extracted from the internet - all of which I agree with.

''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
Preposterous, touching and brilliant.
 
Their songs are infectious, silly and often weirdly beautiful.
 
[It] comes off at first like slight pop-- novelty even. But extended listens reveal a goofy sincerity and romantic insouciance.
 
Coming on Strong is one smooth record; even with all the glitch, all the bleeps and bloops, and all of the genre bending, it never leaves any residue behind.
 
One of the better albums to come out in 05. Takes awhile to grow on you but...the end result is something amazing and unique. Excellent album!
 
This is some of the best electronica I've heard in recent years. These guys know what there doing!Just amazing! Buy this album, right now!
 
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Last night's dinner:
 
A rather excellent carry out Pizza:
 
Toppings: black olives and anchovies. No artichokes available from this particular vendor.
 
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The altar:
 
I was reminded of the beauty of the altar in Roman Catholic churches during Mass when the recent funeral of Jacintha Saldanha was broadcast on TV from India.
 
Until the mid- to late-1960s the Priest celebrated Mass with his back to the people.
 

Then it was deemed better to have the Priest face the congregation and churches were re-designed  and the altars moved forwards so that the Priest could do just that.


Where it all started.

 
The comic and well-known Roman Catholic, Frank Skinner, fondly remembers the days when the Priest had his back to the congregation. He did not find that alienating. Rather, he felt that by standing before them and addressing the altar, it was as if the Priest was representing the people or even leading them in their celebration. Rather like the bus driver in front of all the passengers, taking them on their journey to God. I can see what he means.
 














Thursday, 20 December 2012

British Classical Composers

Terrible rush today:

So random pictures from blog over past few months.

Venetian Snares

Maigret boarding a train.

The building I'm making in HO scale.

Silver Apples - great live performer

My mosaic platforms

What I'm aiming to create - sort of.
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Last night's dinner:


Stovies - which are mashed potato,  onions, Lorne sausage and in this case carrots plus asparagus.



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Resolution:

To listen to the orchestral works of 20th Century composers: Elgar, Vaughan Williams and Walton.

Wednesday, 19 December 2012

Ralph Vaughan Williams

Last night's ceramics class:

A reminder of the shape of the building.

Last week glazed the walls pink!


Last night, the first thing I did was to draw around the inside edges of all the windows so that I have a template to take home with me and thus can think through how I am going to make the window frames.





Then, I painted the 4 pink walls (except for the inside edges of the windows) with a gloss glaze. This is a thick white coloured liquid which when fired will impart a glossy finish to the building.


Bucket of glaze and fan brush for application.

Starting to cover the pink with the white glaze.



Left the inside edges of the windows unglazed.
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Last night's dinner:

Artichokes and boiled rice
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Stereophonics update:

That performance on Monday night whose understated presentation I perceived as suaveness and self-confidence and an antidote to unnecessary and off-putting razzmatazz was badly reviewed in both of Scotland's main newspapers. Where I saw admirable understatement both reviewers perceived apathy, staleness and a mere going through of the motions.

Not sure the crowd saw it their way!

When I phoned my Welsh cousin from South Wales to tell him I'd seen the Stereophonics, he was utterly unimpressed and said he'd never seen them.

Apparently, Kelly Jones was a successful boxer at youth level.



But then so, it is said,  was Terence Trent d'Arby.



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Ralph Vaughan Williams:

Was listening to the tail-end of an orchestral piece on Radio 3 today, trying to guess the composer: Alban Berg? Szymanowski? Schnittke?

No. Unbelievably it was Vaughan Williams' 6th Symphony. I've clearly got a false impression of his output. This was spare and abstract; much more than pastoral. A real revelation.



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Peep Show

In the last few episodes of Peep Show there have been references to: Hot Chip, Venetian Snares and Aphex Twin. Not many shows would be comfortable doing that.











Tuesday, 18 December 2012

Ceramics Tonight


Tonight, the walls of the HO scale ceramic building for my layout should have received their pink underglazing. No idea how it will turn out. Might not be pink!!!


 
 
 
Then I'm going to lay each wall flat on a large sheet of white paper and trace around all the windows and outline of the wall so that I have a template against which to construct window frames.

Not sure what I'm going to make them out of.
 
 
 
 

 
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Stereophonics:

Very glad that I went to see the Stereophonics last night.

Ear-plugs a huge success: killed the volume whilst still allowing me to hear the music clearly.

Arrived at 9pm so as to miss the support act. Got a good seat immediately and 10 minutes later on walked Stereophonics. No fuss, straight into the Bartender and the Thief and the crowd went mad.

Some poor photos from my phone.








 
Three reasons why I'm glad I paid through the nose for the ticket:

1) Stereophonics are very Welsh - as Welsh as male voice choirs are.

2) Kelly Jones is the most amazing front man. He hardly moves, he's only about 5 foot five tall and yet the eyes of 2,500 people are on him for 2 hours. He has a mesmeric stage presence and I felt I was in the presence of one of the truly great performers. Seriously.

Like Liam Gallagher in Oasis, the fact that he just stands in the same spot yet has the entire auditorium eating out of his hand is a mark of performing greatness.

I remember seeing Bob Marley in Glasgow 25 or so years ago and he was the same: a little man physically but with a gigantic stage persona - he hardly moved from behind his microphone stand either.

That's what Hot Chip lacked live.

3) I'll never see them again.

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Last night's dinner:

Poached eggs, asparagus and black pudding.
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Peep Show:

And a double whammy last night: after getting home from the concert I caught up on the latest episode of Peep Show. Absolutely brilliantly and excruciatingly funny. Probably the best written script of any of their shows. Sheer wonderfulness.